{"id":81729,"date":"2021-09-07T10:30:00","date_gmt":"2021-09-07T08:30:00","guid":{"rendered":"https:\/\/www.justiceinfo.net\/81729-quand-les-avions-sont-venus-les-oiseaux-ont-pris-peur.html"},"modified":"2021-09-13T13:39:14","modified_gmt":"2021-09-13T11:39:14","slug":"when-the-planes-came-the-birds-were-afraid","status":"publish","type":"post","link":"https:\/\/www.justiceinfo.net\/en\/81729-when-the-planes-came-the-birds-were-afraid.html","title":{"rendered":"\u201cWhen the planes came, the birds were afraid\u2026\u201d*"},"content":{"rendered":"<p class=\"has-text-align-center\" style=\"font-size: 22px; line-height: 24px;\"><strong>PORTFOLIO - Children's drawings and mass violence. <\/strong><\/p>\n\n\n\n\t\t<style type=\"text\/css\">\n\t\t\t#gallery-1 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-1 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 33%;\n\t\t\t}\n\t\t\t#gallery-1 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-1 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-1' class='gallery galleryid-81729 gallery-columns-3 gallery-size-thumbnail'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.justiceinfo.net\/en\/81729-when-the-planes-came-the-birds-were-afraid.html\/birmanie_deflagrations_dessins-guerre-enfants-children-war-drawings'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.justiceinfo.net\/wp-content\/uploads\/Birmanie_Deflagrations_dessins-guerre-enfants-children-war-drawings-1-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-81799\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-81799'>\n\t\t\t\tDrawing by a 12-year-old Rohingya boy in Myanmar (Burma), in Balukhali refugee camp, Bangladesh, in late 2017. He had just fled Boli Bazar, his village, with his family. \u201cI remember the soldiers who came into our village and set light to everything. They were killing and raping people,\u201d says the boy. Source: UNICEF Bangladesh & COPEC \/ D\u00e9flagrations.\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.justiceinfo.net\/en\/81729-when-the-planes-came-the-birds-were-afraid.html\/syrie-syria_deflagrations_dessins-guerre-enfants-children-war-drawings'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.justiceinfo.net\/wp-content\/uploads\/Syrie-Syria_Deflagrations_dessins-guerre-enfants-children-war-drawings-1-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-81804\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-81804'>\n\t\t\t\t\u201cBlood of the martyr\u201d. Drawing by Amar, 6, in Raqqa, Syria, in 2012. The little boy lived through attacks by the Bashar Al-Assad regime before fleeing with his family to Turkey. Source: Alwane \/ D\u00e9flagrations.\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.justiceinfo.net\/en\/81729-when-the-planes-came-the-birds-were-afraid.html\/liban-lebanon_deflagrations_dessins-guerre-enfants-children-war-drawings'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.justiceinfo.net\/wp-content\/uploads\/Liban-Lebanon_Deflagrations_dessins-guerre-enfants-children-war-drawings-1-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-81807\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-81807'>\n\t\t\t\tDrawing by Mouhammed Ibrahim, 9, in the Shia district of Beirut in the early 1980s. Source : Seta Manoukian, Les Enfants libanais et la Guerre, \u00e9ditions Dar Al-Farabi \/ Photo D\u00e9flagrations\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.justiceinfo.net\/en\/81729-when-the-planes-came-the-birds-were-afraid.html\/usa-etats-unis_deflagrations_dessins-guerre-enfants-children-war-drawings'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.justiceinfo.net\/wp-content\/uploads\/USA-Etats-Unis_Deflagrations_dessins-guerre-enfants-children-war-drawings-1-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-81810\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-81810'>\n\t\t\t\tDrawing by Ezair, 9, New York, 2002. She was at school in Manhattan when the planes hit the Twin Towers on September 11, 2001. A year later, before doing this drawing, she had cried: \u201cI don\u2019t want to talk about the World Trade Center and I don\u2019t want to think about it, or I will think that it could happen again.\u201d Source : Loyan Beausoleil et Gabe Kirchheimer, \u00ab The Youngest Witnesses Project \u00bb. \n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.justiceinfo.net\/en\/81729-when-the-planes-came-the-birds-were-afraid.html\/russie-russia_deflagrations_dessins-guerre-enfants-children-war-drawings'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.justiceinfo.net\/wp-content\/uploads\/Russie-Russia_Deflagrations_dessins-guerre-enfants-children-war-drawings-1-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-81813\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-81813'>\n\t\t\t\tDrawing by Svetlana Levitskaya-Chulkova, sent to her mother in Siblag camp in Siberia, Russia, in 1941. It portrays Vassilli Tchapa\u00efev, a legendary hero of the Russian civil war who died in 1919. Svetlana\u2019s parents were victims of the repression in 1937 and she spent several years in orphanages. Copyright : Memorial International.\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.justiceinfo.net\/en\/81729-when-the-planes-came-the-birds-were-afraid.html\/pologne-urss_deflagrations_dessins-guerre-enfants-children-war-drawings'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.justiceinfo.net\/wp-content\/uploads\/Pologne-URSS_Deflagrations_dessins-guerre-enfants-children-war-drawings-1-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-81816\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-81816'>\n\t\t\t\tDrawing by a Polish child deported to the Soviet Union in 1942. It includes written inscriptions: bottom left, \u201cThe Bolsheviks chase civilians from the train carriages in which the Polish are transported\u201d; and bottom centre, \u201cWe saw this scene from our carriage!\u201d Source : Poland. Ministerstwo Informacji i Dokumentacji records, Hoover Institution Library & Archive.\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.justiceinfo.net\/en\/81729-when-the-planes-came-the-birds-were-afraid.html\/darfour-darfur_deflagrations_dessins-guerre-enfants-children-war-drawings'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.justiceinfo.net\/wp-content\/uploads\/Darfour-Darfur_Deflagrations_dessins-guerre-enfants-children-war-drawings-1-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-81819\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-81819'>\n\t\t\t\tDrawing by a 13-year-old boy in Darfur, 2005. He says: \u201cI am guarding the sheep in the wadi (river bed or oasis). I see the Janjaweed arriving fast on their horses and camels, armed with Kalachnikovs. They are shooting and shouting \u2018kill the slaves, kill the Blacks\u2019. I saw people falling bleeding to the ground. They went after the children.\u201d Source : Human Rights Watch.\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.justiceinfo.net\/en\/81729-when-the-planes-came-the-birds-were-afraid.html\/rwanda_deflagrations_dessins-guerre-enfants-children-war-drawings'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.justiceinfo.net\/wp-content\/uploads\/Rwanda_Deflagrations_dessins-guerre-enfants-children-war-drawings-1-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-81822\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-81822'>\n\t\t\t\tDrawing by a Tutsi child in Rwanda, 3 October, 1997. The written inscriptions say: \u201cThe events of 1994\u201d; \u201cSorry, the Interahamwe cut off my arm\u201d; \u201cHabyarimana supporters\u201d. Source : Witness to Genocide : Drawings by Child Survivors of the Rwandan Genocide of 1994, Richard A. Salem, avec l\u2019autorisation de Friendship Press, National Council of Churches of Christ in the USA \u00a9 1994\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.justiceinfo.net\/en\/81729-when-the-planes-came-the-birds-were-afraid.html\/rdcongo-drcongo_deflagrations_dessins-guerre-enfants-children-war-drawings'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.justiceinfo.net\/wp-content\/uploads\/RDCongo-DRCongo_Deflagrations_dessins-guerre-enfants-children-war-drawings-1-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-81825\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-81825'>\n\t\t\t\tDrawing by a 16-year-old boy in the Mugunga displaced people\u2019s camp near Goma, Democratic Republic of Congo, 2012. Source : Unicef Goma, Est RDC \/ D\u00e9flagrations.\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.justiceinfo.net\/en\/81729-when-the-planes-came-the-birds-were-afraid.html\/erythree-libye_deflagrations_dessins-guerre-enfants-children-war-drawings'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.justiceinfo.net\/wp-content\/uploads\/Erythree-Libye_Deflagrations_dessins-guerre-enfants-children-war-drawings-1-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-81828\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-81828'>\n\t\t\t\tDrawing by a 15-year-old refugee Eritrean boy in a migrant detention centre in Libya, October 2019. \u201cFrom Ethiopia where his family had fled, he set out for Europe at 12 years old, after his father died,\u201d according to the medical team of M\u00e9decins sans Fronti\u00e8res. \u201cAfter arriving in Libya in 2017, he was sold to human traffickers and spent two years in secret prisons. After being freed, he tried to cross the Mediterranean in summer 2019. Their boat capsized. More than 130 people died. He saw many of them drown before his eyes, including a father holding his two children against him.\u201d Source : M\u00e9decins sans fronti\u00e8res \/ D\u00e9flagrations.\n\t\t\t\t<\/dd><\/dl>\n\t\t\t<br style='clear: both' \/>\n\t\t<\/div>\n\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>These drawn testimonies, free from the filter of adult judgment, seem to wipe away the hierarchy of wars and of time. They document mass violence with an almost forensic fidelity. The exhibition \u201c<a href=\"https:\/\/www.mucem.org\/programme\/exposition-et-temps-forts\/deflagrations\">D\u00e9flagrations<\/a>\", just closed in Fort Saint-Jean of Marseille, Southern France, only showed \"a tiny constellation of just over 150 drawings spanning a century\" says its curator Z\u00e9rane S. Girardeau. \"Scenes of looting, murder, desecration, are as if written on the retinas of children,\u201d continues Girardeau, who started to collect them methodically in 2012 with <a href=\"https:\/\/www.deflagrations.com\/\">her association<\/a>. These drawings, she says, allow us to look the unspeakable in the face, \"to enter the scene and approach the intimate experience of the worst violence\". In this portfolio, Justice Info reproduces a selection of ten drawings presented in this exhibition organised by the <a href=\"https:\/\/www.mucem.org\/\">Mucem<\/a>.<\/p>\n\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-background is-style-wide\" style=\"background-color:#e9e9e9;color:#e9e9e9\"\/>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-text-align-center\"><strong>\u00ab&nbsp;<a href=\"https:\/\/www.mucem.org\/media\/7351\">Dessins d\u2019enfants et violences de masse<\/a>&nbsp;\u00bb<\/strong><br>The exhibition catalogue is available in French online on the Mucem website and in bookstores (France).<\/p>\n\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-background is-style-wide\" style=\"background-color:#e9e9e9;color:#e9e9e9\"\/>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><em><strong>*<\/strong>Yusra Ahmed, Palestinian, Bak\u2019a camp, Jordan. In M.Soudi\u2019s \u201cTimes of war: testimonies of children\u201d, 1970.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>PORTFOLIO - Children's drawings and mass violence. These drawn testimonies, free from the filter of adult judgment, seem to wipe away the hierarchy of wars and of time. They document mass violence with an almost forensic fidelity. The exhibition \u201cD\u00e9flagrations\", just closed in Fort Saint-Jean of Marseille, Southern France, only showed \"a tiny constellation of [&hellip;]<\/p>\n","protected":false},"author":64,"featured_media":81719,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[545],"tags":[],"ji_location":[2567],"class_list":["post-81729","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-memory","ji_location-international"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.3.1 (Yoast SEO v25.3.1) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>\u201cWhen the planes came, the birds were afraid\u2026\u201d* - JusticeInfo.net<\/title>\n<meta name=\"description\" content=\"Portfolio - Children&#039;s drawings and mass violence. These drawn testimonies, free from the filter of adult judgment, seem to wipe away the hierarchy of wars and of time. They document mass violence with an almost forensic fidelity. The exhibition \u201cD\u00e9flagrations&quot;, just closed in Fort Saint-Jean of Marseille, Southern France, only showed &quot;a tiny constellation of just over 150 drawings spanning a century&quot; says its curator Z\u00e9rane S. Girardeau.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.justiceinfo.net\/en\/81729-when-the-planes-came-the-birds-were-afraid.html\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u201cWhen the planes came, the birds were afraid\u2026\u201d*\" \/>\n<meta property=\"og:description\" content=\"Portfolio - Children&#039;s drawings and mass violence. These drawn testimonies, free from the filter of adult judgment, seem to wipe away the hierarchy of wars and of time. They document mass violence with an almost forensic fidelity. The exhibition \u201cD\u00e9flagrations&quot;, just closed in Fort Saint-Jean of Marseille, Southern France, only showed &quot;a tiny constellation of just over 150 drawings spanning a century&quot; says its curator Z\u00e9rane S. Girardeau.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.justiceinfo.net\/en\/81729-when-the-planes-came-the-birds-were-afraid.html\" \/>\n<meta property=\"og:site_name\" content=\"JusticeInfo.net\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/JusticeInfo\/\" \/>\n<meta property=\"article:published_time\" content=\"2021-09-07T08:30:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2021-09-13T11:39:14+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.justiceinfo.net\/wp-content\/uploads\/Birmanie_Deflagrations_dessins-enfants-violence-children-drawings_cadre-portfolio-1.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1200\" \/>\n\t<meta property=\"og:image:height\" content=\"814\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"solivri\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@justiceinfonet\" \/>\n<meta name=\"twitter:site\" content=\"@justiceinfonet\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"solivri\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"NewsArticle\",\"@id\":\"https:\/\/www.justiceinfo.net\/en\/81729-when-the-planes-came-the-birds-were-afraid.html#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.justiceinfo.net\/en\/81729-when-the-planes-came-the-birds-were-afraid.html\"},\"author\":{\"name\":\"solivri\",\"@id\":\"https:\/\/www.justiceinfo.net\/en\/#\/schema\/person\/6e53cba1629e2e66f3fc1821d3091865\"},\"headline\":\"\u201cWhen the planes came, the birds were afraid\u2026\u201d*\",\"datePublished\":\"2021-09-07T08:30:00+00:00\",\"dateModified\":\"2021-09-13T11:39:14+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/www.justiceinfo.net\/en\/81729-when-the-planes-came-the-birds-were-afraid.html\"},\"wordCount\":196,\"publisher\":{\"@id\":\"https:\/\/www.justiceinfo.net\/en\/#organization\"},\"image\":{\"@id\":\"https:\/\/www.justiceinfo.net\/en\/81729-when-the-planes-came-the-birds-were-afraid.html#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.justiceinfo.net\/wp-content\/uploads\/Birmanie_Deflagrations_dessins-enfants-violence-children-drawings_cadre-portfolio-1.jpg\",\"articleSection\":[\"Memory\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.justiceinfo.net\/en\/81729-when-the-planes-came-the-birds-were-afraid.html\",\"url\":\"https:\/\/www.justiceinfo.net\/en\/81729-when-the-planes-came-the-birds-were-afraid.html\",\"name\":\"\u201cWhen the planes came, the birds were afraid\u2026\u201d* - JusticeInfo.net\",\"isPartOf\":{\"@id\":\"https:\/\/www.justiceinfo.net\/en\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/www.justiceinfo.net\/en\/81729-when-the-planes-came-the-birds-were-afraid.html#primaryimage\"},\"image\":{\"@id\":\"https:\/\/www.justiceinfo.net\/en\/81729-when-the-planes-came-the-birds-were-afraid.html#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.justiceinfo.net\/wp-content\/uploads\/Birmanie_Deflagrations_dessins-enfants-violence-children-drawings_cadre-portfolio-1.jpg\",\"datePublished\":\"2021-09-07T08:30:00+00:00\",\"dateModified\":\"2021-09-13T11:39:14+00:00\",\"description\":\"Portfolio - Children's drawings and mass violence. These drawn testimonies, free from the filter of adult judgment, seem to wipe away the hierarchy of wars and of time. They document mass violence with an almost forensic fidelity. The exhibition \u201cD\u00e9flagrations\\\", just closed in Fort Saint-Jean of Marseille, Southern France, only showed \\\"a tiny constellation of just over 150 drawings spanning a century\\\" says its curator Z\u00e9rane S. 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He had just fled Boli Bazar, his village, with his family. \u201cI remember the soldiers who came into our village and set light to everything. They were killing and raping people,\u201d says the boy. 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